Master Classes

2019 Master Classes

Zach DePue, for solo violinists
Saturday, February 16, 2019, 2pm.

Concert Hall, URI FIne Arts Building, Kingston, RI.

Known for his virtuosic, high‐energy performances, violinist Zachary DePue successfully balances his roles as concertmaster of the Indianapolis Symphony Orchestra, soloist, chamber musician, fiddler, community leader and mentor with passion and dedication.   

A rising star among both classical and crossover music fans, he was appointed concertmaster of the ISO in 2007 and became one of the youngest concertmasters in the country. He graduated in 2002 from the Curtis Institute of Music in Philadelphia, where he studied with renowned violinists Ida Kavafian and Jaime Laredo. He earned a full‐tuition scholarship to Curtis and he also held the David H. Springman Memorial Fellowship. He served as concertmaster of the Curtis Symphony Orchestra before becoming a violinist in The Philadelphia Orchestra. Prior to entering Curtis, he attended the Cleveland Institute of Music, where he studied with William Preucil, concertmaster of the Cleveland Orchestra.

With an innate talent for improvisation and arranging, Mr. DePue found much of his inspiration from his three older brothers, all violinists and fiddlers. In 1985, the four classically‐trained brothers formed their own acclaimed group, which combines classical and bluegrass for an eclectic, fun concert experience. The group’s father is Wallace DePue, a composer and professor emeritus at Bowling Green State University.

Mr. DePue was a founding member of Time for Three, ISO’s first ever ensemble-in-residence, alongside his fell Curtis colleagues, violinist Nick Kendall and double bassist Ranaan Meyer. With its dynamic energy and unique mash-ups of bluegrass, jazz and classical music, Time for Three has reinvented the ISO’s Happy Hour Series and has introduced a new audiences to the symphony experience.

This season, Mr. DePue became a member of the 40th Class of the Stanley K. Lacy Executive Leadership Series, a prestigious program that connects Indianapolis’ emerging leaders to the issues and needs of the community.

His violin was made by Ferdinand Gagliano of Naples, Italy, in 1757.


Sophie Shao, Cello
Saturday, February 16th, 2019, 3PM.

Concert Hall, URI FIne Arts Building, Kingston, RI.

Cellist Sophie Shao, winner of the prestigious Avery Fisher Career Grant and top prizes at the Rostropovich and Tchaikovsky competitions, is a versatile and passionate artist whose performances the New York Times has noted as “eloquent, powerful” and the Washington Post called “deeply satisfying.”

Shao has appeared as soloist throughout the United States and performed the UK premiere of Howard Shore’s concerto “Mythic Gardens” with Keith Lockhart and the BBC Concert Orchestra. Other recent concerto performances include Haydn and Elgar Concerti with Lockhart and the BBC Concert Orchestra, Beethoven’s Triple Concerto with Hans Graf and the Houston Symphony, Richard Wilson’s “The Cello Has Many Secrets” with the American Symphony Orchestra, and Saint-Saens’ “La muse et la poete” at the Bard Music Festival.

Ms. Shao has given recitals in Suntory Hall in Tokyo, the Philadelphia Chamber Music Society, Middlebury College, and the Phillips Collection, the complete Bach Suites at Union College and in New York City. Her dedication to chamber music has conceived her popular “Sophie Shao and Friends” groups which have toured from Brattleboro, VT to Sedona, AZ. She was a member of Chamber Music Society Two, Chamber Music Society of Lincoln Center’s program for emerging young artists. She is also committed to the music of our time and collaborations with living composers.

Ms. Shao’s recordings include the Complete Bach Suites, Andre Previn’s Reflections for Cello and English Horn and Orchestra on EMI Classics, Richard Wilson’s Diablerie and Brash Attacks and Barbara White’s My Barn Having Burned to the Ground, I Can Now See the Moon on Albany Records, Howard Shore’s original score for the movie The Betrayal on Howe Records. Her performance of Howard Shore’s “Mythic Gardens” at the KKL in Lucerne was released in 2017 on Sony Classical along with Lang Lang’s performance of “Ruins and Memory”.

A native of Houston, Texas, Ms. Shao was a student of Shirley Trepel, former principal cellist of the Houston Symphony.  She also studied wtih David Soyer at the Curtis Institute of Music, with Aldo Parisot at Yale College, where she received a B.A. in Religious Studies and an M.M. from the Yale School of Music, where she was enrolled as a Paul and Daisy Soros Fellow.  She is also on the faculty of Vassar College and plays on a cello made by Honore Derazey from 1855 once owned by Pablo Casals.


Application for Masterclasses
Students interested in 2020 masterclasses are required to submit a short videotaped performance of the piece to be played for the masterclass and a brief application form. Application deadline for 2020 will be announced

  1. Submit an Audition Tape in One of Two Ways: Create a video of the short piece you would like to play for the masterclass and upload to YouTube station KingstonChamberMusicFestival. (Please list your video as "public" or "unlisted." If you list "private" we will not be able to view your submission.) Or email your video directly to masterclass [at] kingstonchambermusic.org

  2. Submit an Application Form: Click to download a fillable PDF application form. Send the form to masterclass [at] kingstonchambermusic.org or through the U.S. postal service to Kingston Chamber Music Festival at P.O. Box 1733, Kingston, RI 02881.


Educators: Looking for the 2020 master classes flyer? Check back soon to download the printable PDF version.


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