Aspiring to expand the genre of percussion chamber music through performance and creative collaboration, Arx Duo (Garrett Arney and Mari Yoshinaga) has blazed a trail in contemporary music since its inception at the Yale School of Music in 2014. The duo has taught and performed across three continents.
Early in the 2017/18 season, Arx Duo premiered Dominic Murcott’s Harmonic Canon at the Huddersfield Contemporary Music Festival in the United Kingdom. This summer, they will perform as the Ensemble in Residence at Artosphere Music Festival in Fayetteville, Arkansas. They frequently perform recitals and collaborative concerts throughout the United States. As members of The Percussion Collective Robert van Sice, now in its opening season, they will premiere Garth Neustadter’s Seaborne this year.
With a repertoire ranging from established masters to today’s newest compositional voices, Arx Duo has worked closely with composers such as Alejandro Viñao, James Wood, and Ted Hearne. Ms. Yoshinaga and Mr. Arney have served as artists in residence at Michigan State University and at the Lake George Music Festival, and currently are faculty members at the Young Artist Summer Program at Curtis Summerfest. Always seeking opportunities to bring percussion to new audiences, the group has given concerts, workshops, and master classes at universities and conservatories in the United States, Europe, and Asia.
The name "Arx Duo" comes from the artists’ desire to forge new connections and artistic pathways or "arcs" within the genre, expanding the opportunities for their music to reach new audiences. The group is currently based in Seattle.
Lera Auerbach is one of today’s most sought after and exciting creative voices. Auerbach’s intelligent and emotional style has connected her to audiences around the world and her work is championed by today’s leading performers, conductors, choreographers, choirs and opera houses, including the Theatre an der Wein, New York’s Lincoln Center, the National Symphony in Washington, D.C., Stanislavsky Theater in Moscow, the Hamburg Ballet, National Ballet of Canada, Netherlands Dance Theater, San Francisco Ballet, National Ballet of China; choreographers, John Neumeier, Aszure Barton, Goyo Montero, Terence Kohler, Sol León, Paul Lightfoot, Tim Plegge and Medhi Walerski; violinists Gidon Kremer, Leonidas Kavakos, Daniel Hope, Hilary Hahn, Vadim Gluzman, Vadim Repin, Julian Rachlin, Nadja Salerno-Sonnenberg and Dmitry Sitkovetsky; violist Kim Kashkashian; cellists Alisa Weilerstein, Gautier Capuçon, Alban Gerhardt, David Finckel, Joshua Roman, Clive Greensmith, David Geringas, Ani Aznavoorian, Wendy Warner, and Narek Hakhnazaryan; the Artemis, Borromeo, Tokyo, and Ying string quartets and Chamber Music Society of Lincoln Center. Her orchestral works have been brought to life by Charles Dutoit, Christoph Eschenbach, Andris Nelsons, Vladimir Jurowski, Vladimir Fedoseyev, Neeme Järvi, Vladimir Spivakov, Osmo Vänskä, Andrey Boreyko, and many others.
In 2015, Auerbach was composer-in-residence at the Trans-Siberian Art Festival and the Rheingau Musik Festival in Germany. Past residencies include the Staatskapelle Dresden, Switzerland’s Verbier Festival, Norway’s Trondheim Festival, the São Paulo Symphony in Brazil, and Marlboro Music Festival in the United States. Awards include the Hindemith Prize, a Golden Mask, Paul and Daisy Soros Fellowship, German National Radio prize and the ECHO Klassik award. In 2011, her opera Gogol marked the first time a major opera written by a female composer was produced in Vienna.
Auerbach is equally prolific in literature and the visual arts (especially painting and sculpture) and incorporates these forms into her professional creative process, simultaneously expressing ideas visually, in words, and through music. She has published three books of poetry in Russian and her first English-language book, “Excess of Being” – in which she explores the difficult form of the aphorism – was published by Arch Street Press in 2015. Her visual art has been included in several exhibitions, is often exhibited at performances of her musical work, and has been reproduced in magazines, CDs and books. As a poet, Ms. Auerbach has been long established and was named Poet of the Year in 1996 by the International Pushkin Society in New York. Her poetry and prose has been included in various anthologies and high school textbooks. She is the author of several librettos and is a regular contributor to the Best American Poetry blog through her column, The Trouble Clef.
From 2007-2012, Auerbach was a Young Global Leader of the World Economic Forum (WEF) in Davos. Today, she serves the WEF as a Cultural Leader, giving presentations around the world on Borderless Creativity. The LeraArt Foundation, a 501c3 organization, was established in her name in 2015 and seeks to create an artist-centric paradigm for composers through its “Modern Renaissance” project.
Auerbach was raised in the Russian city of Chelyabinsk on the border of Siberia. She graduated with bachelor’s and master’s degrees in composition from the Juilliard School and a post- graduate degree in piano from Hanover University. Her work is published exclusively by the Internationale Musikverlage Hans Sikorski. Her music is available on Deutsche Grammophon, Nonesuch, BIS, Cedille and other labels.
Igor Begelman's virtuosity and imagination have earned him an impressive list of prizes, engagements, and honors, including an Avery Fisher Career Grant.
In recent seasons, Mr. Begelman appeared as a soloist with the I Musici de Montreal, Houston Symphony, Orchestra of St. Luke's, Frankfurt Radio Symphony Orchestra, Boston Classical Orchestra, L'Orchestre de la Suisse Romande, Sinfonia Celestis, and the Astral and Chappaqua Chamber Orchestras. He has also appeared in recital at Philadelphia's Kimmel Center, New York's Merkin Hall and Weill Recital Hall at Carnegie Hall: at Lincoln Center's Alice Tully Hall, 92nd Street Y, Kravis Center for the Performing Arts in West Palm Beach, Boston's Faneuil Hall, Los Angeles’ Cerritos Center for the Performing Arts, and at the Caramoor and Ravinia Festivals.
Equally accomplished as a recitalist and chamber musician, Mr. Begelman performed with the Chamber Music Society of Lincoln Center and has appeared at numerous festivals throughout the world, including the Casals, Marlboro, Moab, Alpenglow, Juneau, Caramoor, Tucson, Tanglewood, and Schleswig-Holstein Festivals. An avid proponent of new music, he has premiered compositions by Jennifer Higdon, Anton Kuerti, Alex Krasotov, David Robert Coleman, Meyer Kupferman, Elliot Schwartz, and Ralph Shapey.
Mr. Begelman was awarded top prizes at the Carl Nielsen International Clarinet Competition in Denmark and the Geneva International Competition in Switzerland. In addition, he has earned top prizes at the William C. Byrd Competition, Koussevitsky Competition, International Clarinet Society Competition, Heida Hermanns International Competition, Tilden Prize Competition and Crane New Music Competition, among others.
An active educator, Mr. Begelman has served as a Professor of Clarinet at the University of North Carolina School of the Arts and as the Director of the Woodwind Program at the Bowdoin International Music Festival. He has also taught at Brooklyn College and Sarah Lawrence College, and guest lectured at Yale, Juilliard, and at the Manhattan School of Music. Currently, Mr. Begelman serves as the Artist-in-Residence at the Peace Center in Greenville, SC.
Raised in Kiev, Ukraine, Mr. Begelman came to the United States in 1989. He received his education from The Manhattan School of Music, The Juilliard School, and the CUNY Graduate Center.
Mr. Begelman is affiliated with the Piatigorsky Foundation, which allows him to perform and teach classical music in non-traditional settings. He shares his musical adventures with his wife Larisa, daughter Eve, and son Joshua.
Che-Hung Chen has been a member of The Philadelphia Orchestra since the spring of 2001, when he was hired by then-Music Director Wolfgang Sawallisch, becoming the first Taiwanese citizen ever to join the Orchestra. He has also served as acting associate principal viola under former Music Director Christoph Eschenbach.
Mr. Chen was the first-prize winner at the Seventh Banff International String Quartet Competition, as the founding member of the Daedalus Quartet. The Quartet was also awarded the Pièce de Concert prize for the best performance of a commissioned work and the Székely Prize for the best performance of a Beethoven quartet. A three-time, top-prize winner at the Taiwan National Instrumental Competition, Mr. Chen is a graduate of the Curtis Institute of Music, where he studied with the legendary Joseph dePasquale. Mr. Chen has served as principal violist of the Curtis Symphony and recently appeared as guest principal violist with Japan’s Hyogo Performing Arts Center Orchestra, the San Diego Symphony, and the Saint Paul Chamber Orchestra. Mr. Chen’s recording of Chiayu’s Twelve Signs for solo viola on the Naxos Label was praised in Gramophone magazine’s Awards 2015 issue for its ‘“mesmerizing intensity.’”
As a chamber musician, Mr. Chen has appeared with Marlboro Music, performing in its 50th anniversary concerts in Boston and at New York’s Carnegie Hall; and in several “Musicians from Marlboro” national tours. He performs annually at the Kingston Chamber Music Festival with his wife, pianist and Artistic Director Natalie Zhu; and has also participated in such festivals as Ravinia, Caramoor, Saratoga, Bridgehampton, and Music from Angel Fire. Mr. Chen is a member of the Clarosa Piano Quartet, along with Ms. Zhu, Philadelphia Orchestra colleague and first associate concertmaster Juliette Kang, and cellist Clancy Newman.
Mr. Chen serves on the faculty of Temple University’s Esther Boyer College of Music. He performs on a viola by Carlo Antonio Testore in Milan, Italy, c. 1756. He and Ms. Zhu reside in Narberth, PA, with their daughter, Clara.
Oboist Hsuan-Fong Chen enjoys a diverse career performing in concert halls, theaters, and studios in New York City. She performed as the oboist on "Rocktopia" on Broadway in April, 2018, and was recently invited to perform as a guest principal oboist with the Metropolitan Opera Orchestra. She has also appeared with the Huntsville Symphony Orchestra, Orchestra of St. Lukes, Princeton Symphony Orchestra, New Haven Symphony Orchestra, Albany Symphony Orchestra, the Knights, and in the hit Broadway show “Wicked”. Other orchestral highlights include the 2016 California Tour with the New York Philharmonic; and her performance with Rihanna at the Met Gala hosted by Vogue in 2015.
Hsuan-Fong has given solo recitals and appeared as soloist with orchestras in Taiwan, the United States, and Germany. A passionate chamber musician, she has given multiple world premieres of new music in New York City and beyond. Ms. Chen has performed with the Talea Ensemble, Trinity Church Wall Street’s Novus, NY; and with ensemble mise-en. She has performed at the Phoenix Chamber Music Society Winter Series and the Norfolk Chamber Music Festival, and will appear with Yale faculty members on a Naxos- produced album featuring Beethoven’s serenade for winds, to be released in 2020.
Known for his virtuosic, high‐energy performances, Zachary DePue successfully balances roles as concertmaster, soloist, chamber musician, fiddler, community leader, and mentor-- with passion and dedication.
A rising star among both classical and crossover music fans, Mr. DePue was appointed concertmaster of the Indianapolis Symphony Orchestra (ISO) in 2007 and became one of the youngest concertmasters in the country. He graduated in 2002 from the Curtis Institute of Music in Philadelphia, where he studied with renowned violinists Ida Kavafian and Jaime Laredo. He then earned a full‐tuition scholarship to Curtis and also held the David H. Springman Memorial Fellowship. He served as concertmaster of the Curtis Symphony Orchestra before becoming a violinist in The Philadelphia Orchestra. Prior to entering Curtis, he attended the Cleveland Institute of Music, where he studied with William Preucil, concertmaster of the Cleveland Orchestra.
With an innate talent for improvisation and arranging, Mr. DePue found much of his inspiration from his three older brothers, all violinists and fiddlers. In 1985, the four classically‐trained brothers formed their own acclaimed group, which combines classical and bluegrass for an eclectic, fun concert experience. The group’s father is Wallace DePue, a composer and professor emeritus at Bowling Green State University.
Mr. DePue was a founding member of Time for Three, ISO’s first ever ensemble-in-residence, alongside his fellow Curtis colleagues, violinist Nick Kendall and double bassist Ranaan Meyer. With its dynamic energy and unique mash-ups of bluegrass, jazz and classical music, Time for Three reinvented the ISO’s Happy Hour Series and introduced new audiences to the symphony experience.
This season, Mr. DePue became a member of the 40th Class of the Stanley K. Lacy Executive Leadership Series, a prestigious program that connects Indianapolis’ emerging leaders to the issues and needs of the community.
He plays a violin made in 1757 by Ferdinand Gagliano of Naples, Italy.
The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music
Roberto Díaz is president and CEO of the Curtis Institute of Music, following in the footsteps of renowned soloist/directors such as Josef Hofmann, Efrem Zimbalist, and Rudolf Serkin.
As a soloist, Mr. Díaz collaborates with leading conductors of our time on stages throughout the world. He has also worked directly with important 20th- and 21st-century composers, including Krzysztof Penderecki—whose viola concerto he has performed numerous times with the composer on the podium, and whose double concerto he premiered in the United States. He has also worked with composers including Edison Denisov, Jennifer Higdon, Ricardo Lorenz, and Roberto Sierra. His recording of Jennifer Higdon's Viola Concerto won a Grammy for Best Contemporary Classical Composition in 2018.
A frequent recitalist, Mr. Díaz enjoys collaborating with young musicians, bringing a fresh approach to the repertoire and providing invaluable opportunities to artists at the beginning of their careers. In addition to performing with major string quartets and pianists in chamber music series and festivals worldwide, he is a member of the Díaz Trio. His recordings include a Grammy-nominated disc of viola transcriptions by William Primrose for Naxos, as well as releases on the Artek, Bridge Records, Dorian, Nimbus, and New World labels.
In addition to his decade-long tenure as principal viola of the Philadelphia Orchestra, Mr. Díaz was also the principal violist of the National Symphony under Mstislav Rostropovich, and was a member of the Boston Symphony and the Minnesota Orchestra. He is a graduate of the New England Conservatory of Music and the Curtis Institute of Music, where he continues to serve on the faculty, holding the James and Betty Matarese Chair in Viola Studies and the Nina von Maltzahn President's Chair. Mr. Díaz plays the ex-Primrose Amati viola.
The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music
One of the top young guitarists of his generation, Jordan Dodson was a winner of Astral Artists’ 2013 National Auditions and is an active soloist and chamber musician based in New York and Philadelphia. He has also received awards from the 2011 Lillian Fuchs Chamber Music Competition, the 2010 Indiana International Guitar Competition, and the 2008 American String Teachers Association Competition. In 2013, he was a Young Artist in Residence on American Public Media’s Performance Today.
Mr. Dodson’s recent performing and teaching schedule has taken him across the U.S. and abroad to venues such as Le Poisson Rouge (New York City), Roulette (Brooklyn), the Kimmel Center for the Performing Arts (Philadelphia), and the Museo Nacional de Colombia (Bogotá); and to other music festivals including the Aspen Music Festival, and Festival Daniou (France). An advocate for contemporary music, Mr. Dodson has commissioned and premiered dozens of pieces internationally, including works by Lewis Nielson, Elliot Cole, Robert Sirota, and Gabriella Smith. He performs in several New York City chamber ensembles, including Ensemble Moto Perpetuo, Marcel, and Ensemble sans maître. He has recently collaborated with the International Contemporary Ensemble, Anne-Marie McDermott, Ransom Wilson, and Contemporaneous. He may be heard on the album Subject on Tzadik Records.
In the fall of 2011, Mr. Dodson was one of two students selected to inaugurate the Curtis Institute of Music’s classical guitar studio, helping bring to the school not only a new instrument, but also new repertoire and new possibilities for music-making. He holds degrees from the Curtis Institute of Music, the Manhattan School of Music, and the Cincinnati College-Conservatory of Music, and his teachers have included Clare Callahan, David Starobin, and Jason Vieaux. He plays a Gary Lee guitar.
Nathan Farrington is a bassist, singer, and composer living in Los Angeles. He regularly appears in the bass sections of many of America's top orchestras including the Los Angeles Philharmonic, the Philadelphia Orchestra, the Chicago Symphony, the New York Philharmonic, the Cleveland Orchestra, the East Coast Chamber Orchestra, and the Seattle Symphony. Nathan was recently named the Principal Bass of the Los Angeles Opera Orchestra under James Conlon and Placido Domingo, and pursues chamber music and solo opportunities avidly.
Nathan has appeared at the Marlboro Music Festival, the Aspen Music Festival, the Olympic Music Festival, ChamberFest Cleveland, and the Da Camera Society. Wherever he is performing, Nathan makes sure to take along his trusty guitar and pairs singing and playing operatic arias and folk songs alongside his bass playing.
In addition to his performance interests, Nathan is deeply interested in Cinema. His Los Angeles-based audio company, Hazard Audio, connects top classical minds, with the artistic minds in movie and tv production. His life in each of these fields has helped him engage in new and interesting projects, highlighting the natural strengths of each of the two worlds.
Noah Geller is currently the Concertmaster of the Seattle Symphony Orchestra. He came to Seattle from the Kansas City Symphony, where he was Concertmaster since 2012. Prior to this, he held posts with The Philadelphia Orchestra as a first violin section member and later as Acting Assistant Concertmaster. He attended The Juilliard School for both his bachelor’s and master’s of music degrees.
Mr. Geller has also performed with many chamber and festival organizations around the United States, including the Kingston Chamber Music Festival, Marlboro Music Festival, Orpheus Chamber Orchestra, Tanglewood Music Center, and the Olympic Music Festival in Port Townsend, Washington.
Mr. Geller is an original member of Shir Ami, an ensemble dedicated to the music of composers whose lives were adversely affected by the Holocaust. Mr. Geller organized and presented concerts by Shir Ami for the Kansas City community, garnering remarkable support and enthusiasm. Mr. Geller grew up in the Chicago area, studying privately with Jennifer Cappelli. He received his bachelor’s and master’s degrees from The Juilliard School where he studied with Hyo Kang, Donald Weilerstein and Cho-Liang Lin. He currently lives in Seattle with his wife, percussionist Mari Yoshinaga, and their dog, Monkey. He performs on a violin made by Andreas Postacchini c. 1840.
Three-time Grammy Award-winning violinist Hilary Hahn is renowned for her virtuosity, expansive interpretations, and creative programming. Her dynamic approach to music-making and her commitment to sharing her musical experiences with a broad global community have made her a fan favorite. Hahn's sixteen feature recordings have received every critical prize in the international press and have met with equal popular success. Her seventeenth album will be a retrospective collection that also contains new live material and art from her fans, in keeping with a decades-long tradition of collecting fan art at concerts.
Hahn’s distinct stylistic choices honor the traditional violin literature while delving into the unexpected. In the past two seasons, in recital tours across the United States, Europe, and Japan, she premiered six new partitas for solo violin by composer Antón García Abril. The works were Hahn's first commissioning project for solo violin and her first commission of a set of works from a single composer. García Abril was also one of the composers for “In 27 Pieces: the Hilary Hahn Encores,” Hahn's multi-year commissioning project to revitalize the duo encore genre.
In 2017-18 Ms. Hahn returned to repertoire from the 19th and 20th centuries, performing the Tchaikovsky, Dvořák, and first Prokofiev violin concertos; in addition to Bernstein's Serenade (after Plato's “Symposium”) for Bernstein's centennial season. As part of recent residencies at the Vienna Konzerthaus, Seattle Symphony, and National Orchestra of Lyon, Hahn piloted free – and sometimes surprise – concerts for parents with their babies, as well as a knitting circle, a community dance workshop, a yoga class, and art students. She continued to create these community-oriented concerts as the 2017-18 Artist-in-Residence at the Philadelphia Orchestra, encouraging music lovers to combine live performance with their interests outside the concert hall, and providing opportunities for parents to enjoy live music with their infants. She also plays a free concert to promote a college membership program and participates in the Philadelphia Orchestra's ongoing educational activities.
Hahn is an avid writer, having posted journal entries for two decades on her website, hilaryhahn.com, and published articles in mainstream media. On her YouTube channel, youtube.com/hilaryhahnvideos, she interviews colleagues about their experiences in music. Her violin case comments on life as a traveling companion, on Twitter and Instagram at @violincase. In 2001, Hahn was named “America’s Best Young Classical Musician” by Time magazine, and in 2010, she appeared on The Tonight Show with Conan O’Brien. Hahn was featured in the Oscar-nominated soundtrack to “The Village” and has participated in a number of non-classical productions, collaborating on two records by the alt-rock band ….And You Will Know Us By The Trail of Dead; on the album Grand Forks by Tom Brosseau, on tour with folk-rock singer-songwriter Josh Ritter, and with pianist Hauschka on the album Silfra, which they entirely improvised following an intensive period of development.
The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music
Maria Ioudenitch was born in Balashov, Russia, and moved with her family to Kansas City when she was three years old. An American with a Russian heart and soul, she began her violin studies surrounded by the sounds of the piano, played by both of her parents. Her teachers have included Gregory Sandomirsky and Ben Sayevich. She studied with Pamela Frank and Shmuel Ashkenasi at the Curtis Institute of Music and is pursuing her master’s degree at the New England Conservatory with Miriam Fried.
Ms. Ioudenitch has taken part in multiple summer festivals and academies, including Ravinia's Stearns Music Institute, the International Summer Academy at Universität Mozarteum in Salzburg; and the International Music Academy in the Principality of Liechtenstein. She will attend the Marlboro Music Festival in the summer of 2020.
Recent solo engagements include performances with the Mariinsky Symphony Orchestra, the Kansas City Symphony, the Signature Symphony at Tulsa Community College, the National Orchestra of Uzbekistan, and the Mississippi Symphony Orchestra, working with conductors Andrey Boreyko, Andrés Franco, Michael Stern, and Pavel Smelkov, among others.
Recent chamber music engagements include Curtis on Tour performances in Mexico, Argentina, Uruguay, and Chile with acclaimed violist Roberto Díaz; and performances in Chicago, New York, Connecticut, and Boston with renowned violinist and pedagogue Miriam Fried.
Maria served as concertmaster of the Curtis Symphony Orchestra in 2016–17, ending the season with a European tour featuring Strauss's Ein Heldenleben.
Appointed first associate concertmaster of The Philadelphia Orchestra in 2005, Canadian violinist Juliette Kang enjoys an active and varied career. Previously assistant concertmaster of the Boston Symphony and a member of the Metropolitan Opera Orchestra, Ms. Kang’s solo engagements have included performances with the San Francisco Symphony, l’Orchestre National de France, the Baltimore Symphony, the Boston Pops, the Omaha Symphony, the Syracuse Symphony, and every major orchestra in Canada. Internationally, she has performed with the Czech Philharmonic, the Vienna Chamber Orchestra, the Singapore Symphony, the Hong Kong Philharmonic, and the KBS Symphony in Seoul. She has given recitals in Philadelphia, Paris, Tokyo, and Boston. She won first prize in the 1994 International Violin Competition of Indianapolis and was presented at New York's Carnegie Hall in a recital that was recorded live and released on CD. She has recorded the Schumann and Wieniawski violin concertos with the Vancouver Symphony for CBC Records.
In 2012, Ms. Kang was a featured soloist at Carnegie Hall for the visit of her hometown orchestra, the Edmonton Symphony, and that season she made her Philadelphia Orchestra subscription debut with guest conductor Gianandrea Noseda.
Ms. Kang has been involved with chamber music since studying at the Curtis Institute of Music. Festivals she has participated in include Bravo! Vail, Bridgehampton, Kingston, Marlboro, Moab, Skaneateles, and Spoleto USA. In New York she has performed with the Chamber Music Society of Lincoln Center; at the Mostly Mozart Festival with her husband, cellist Thomas Kraines; and at the Bard Music Festival. With Philadelphia Orchestra colleague violist Che-Hung Chen, pianist Natalie Zhu, and cellist Clancy Newman, she is a member of the Clarosa Quartet, dedicated to exploring and enriching the piano quartet repertoire.
After receiving a Bachelor of Music degree at age 15 from Curtis as a student of Jascha Brodsky, Ms. Kang earned a Master of Music degree at the Juilliard School under the tutelage of Dorothy Delay and Robert Mann. She was a winner of the 1989 Young Concert Artists Auditions, and she subsequently received first prize at the Menuhin Violin Competition of Paris in 1992. She serves on the Central Board of Trustees at Philadelphia's Settlement Music School, one of the oldest and largest community schools of the arts in the country, founded in 1908. She lives in Queen Village with her husband and two daughters.
Stephen Kim is continually praised for his originality and honest performances. He gained international recognition most recently, winning the Third Prize at the 2019 Queen Elisabeth International Violin Competition. He also won Third Prize at the 2018 Premio Paganini International Violin Competition, and Second Prize at the 2016 Sendai International Violin Competition.
Presented in venues across North America, Europe, and Asia, Stephen has appeared as a soloist with the Orchestre Philharmonique Royal de Liège, Brussels Philharmonic, Belgian National Orchestra, l’Orchestra del Teatro Carlo Felice, Sendai Philharmonic Orchestra, Bucheon Philharmonic Orchestra, Suwon Philharmonic Orchestra, Curtis Chamber Orchestra, Carmel Symphony Orchestra, Terre Haute Symphony Orchestra, Austin Symphony Orchestra, and the Aspen Music Festival.
In recent seasons, Stephen embarked on a two-month tour across the United States performing the Mozart Violin Concerto No. 5 with the Curtis Chamber Orchestra, as part of the all-Mozart Curtis on Tour. He donated his services for a performance in Seoul for the Viva Chamber Ensemble, an orchestra comprised of disabled young musicians; and has given masterclasses in an effort to inspire and spread his passion for music. Stephen was also featured in the recital series of the Stradivari Society, the Verbier Festival Academy, in return performances in Japan; and with violist Roberto Díaz as part of Curtis on Tour in Shanghai and Hong Kong. In June 2018, Stephen performed at the Award Presentation Ceremony of Korea’s prestigious Ho-Am Prize. Upcoming engagements include multiple concert tours in Belgium, Korea, Macao, and Hong Kong.
As a teen, Stephen won major prizes at the 2015 Seoul International Violin Competition and 2014 Yehudi Menuhin International Violin Competition, and he has the distinction of being the first person in the Aspen Music Festival’s history to win all three of the festival’s violin competitions.
Stephen studied at the Curtis Institute of Music with Shmuel Ashkenasi, Aaron Rosand, and the late Joseph Silverstein. In 2018, he was awarded the Curtis/Milka Violin Artist Prize. Stephen currently studies at the Juilliard School with Hyo Kang.
Stephen plays the 1725 “ex-Moller” Guarnerius del Gesù, on generous loan from the Samsung Foundation of Culture of Korea and the Stradivari Society of Chicago.
Priscilla Lee joined The Philadelphia Orchestra with the start of the 2016-17 season. A 2005 Avery Fisher Career Grant recipient, she began studying at the age of five and made her solo debut in 1998 with the Los Angeles Philharmonic. A native of California, she studied with Ronald Leonard at the Colburn School of Performing Arts and in 1998 went on to the Curtis Institute of Music to study with David Soyer. In 2005 she received a Master of Music degree from the Mannes College of Music, where she studied with Timothy Eddy.
Ms. Lee has participated in festivals of Kingston, Marlboro, Santa Fe, Seattle, Delaware, St. Denis in Paris, Lexington, and Taos. She was a member of Lincoln Center’s Chamber Music Society Two from 2006 to 2009, and was a founding member of Trio Cavatina, a piano trio that won the Grand Prize at the 2009 Naumburg International Competition. The Trio made its debut at the New School and in Merkin Hall’s Rising Star Series, and performed at Boston’s famed Jordan Hall and Carnegie’s Weill Recital Hall. Ms. Lee was the principal cello of both Opera Philadelphia (2014-16) and the Chamber Orchestra of Philadelphia (2015-16). She resides in Newtown Square, PA, with her husband, Philadelphia Orchestra violist Burchard Tang, and their two daughters.
Ren Martin-Doike is a versatile performer on a mission to share music with diverse audiences around the world. Ms. Martin-Doike has performed throughout Europe, Asia, and the Americas as a soloist and member of a wide range of ensembles including the Philadelphia Orchestra, Duo RenJi, and the Benny Rietveld Jazz Quintet. Often heard beyond the concert hall, Ms. Martin-Doike has played for broadcasts on Radio France, American Public Radio, National Public Radio as well as RTHK (Hong Kong). More recently, she appeared in Death in Montmartre, an RTHK film production for which she also recorded original arrangements.
Named a 2015-2016 Harriet Hale Wooley Scholar and Artist in Residence at the Fondation des États-Unis in Paris, Ms. Martin-Doike was also awarded the Fontys prize from the Rubinstein International Viola Competition in Germany. She is also an award winning chamber musician, taking home First Prize in the string quartet division at the Fondation Maurice Ravel Competition and the Prix de musique de chambre at the Conservatoire américain de Fontainebleau (France).
Orchestrally, Ms. Martin-Doike has served as principal viola of many ensembles, including the New York String Orchestra, Curtis Symphony Orchestra, and Hyogo Performing Arts Center Orchestra. As principal viola of the Curtis 20/21 Chamber Orchestra, she performed with Jennifer Koh and Jaime Laredo for their Two x Four Project, which resulted in a critically acclaimed recording on the Cedille label.
Notable performances this season include solo recitals at the Festival des Sommets Musicaux de Gstaad (Switzerland) and Fondation des États-Unis(France); concerts with the Pittsburgh Symphony Orchestra, and the premiere of a work for solo viola by John B. Hedges specially commissioned for her by Laura and Kenneth Mitchell. A former fellow at the Bang on a Can summer music festival, Ms. Martin-Doike has also premiered numerous other works, including Toccatina à la Turk by Atar Arad, Unusta IV by Riho Esko Maimets, and the Sonate pour deux altos by Alain Louvier.
A graduate of the Curtis Institute of Music, Ms. Martin-Doike earned her master’s degree in 2017 from the Conservatoire National Supérieur de Musique de Paris, receiving a unanimous first prize from the jury.
Cellist Clancy Newman, first prize winner of the prestigious Naumburg International Competition and recipient of an Avery Fisher Career Grant, has had the unusual career of a performer/composer. He received his first significant public recognition at the age of twelve, when he won a Gold Medal at the Dandenong Youth Festival in Australia, competing against people twice his age. Since then, he has performed as soloist throughout the United States, as well as in Europe, Asia, Canada, and Australia. He can often be heard on NPR’s “Performance Today” and has been featured on A&E and PBS. A sought after chamber musician, he is a member of the Clarosa piano quartet and a former member of Chamber Music Society Two of Lincoln Center and Musicians from Marlboro. As a composer, he has expanded cello technique in ways heretofore thought unimaginable, particularly in his "Pop-Unpopped" project, which has gained over eighty thousand views on YouTube. He has also written numerous chamber works, and has been a featured composer on series by the Chamber Music Society of Lincoln Center and the Chicago Chamber Musicians. In March 2019, his piano quintet, commissioned by the Ryuji Ueno Foundation, was premiered at the opening ceremony of the National Cherry Blossom Festival in Washington DC. Mr. Newman is a graduate of the five-year exchange program between Juilliard and Columbia University, receiving a master’s degree in music from Juilliard and a bachelor of arts degree in English from Columbia.
Known for her deeply communicative and engrossing style, Ayano Ninomiya is committed to creating invigorating live performance experiences from concert stages to private homes and public schools. Winner of numerous prizes including the Walter Naumburg International Competition, the Tibor Varga International Competition, Astral Artists National Auditions, Young Performers Career Advancement, and Lili Boulanger awards, Ayano has performed with orchestras across the United States, Switzerland, Bulgaria, and most recently in Carnegie Hall. She has performed at the Kingston, Marlboro, Ravinia, Moab, Bowdoin, Adams (New Zealand), Canberra International (Australia), and Prussia Cove (England) festivals. Ms. Ninomiya has been featured on Musicians from Marlboro Festival tours in the United States and France, and gave a TEDx talk in 2012 at the University of Tokyo. She was first violinist of the Ying Quartet and was Associate Professor at the Eastman School of Music until 2015 after which she joined the violin faculty of the New England Conservatory of Music. As a recipient of the Beebe Fellowship, Ayano studied at the Liszt Academy in Budapest after graduating from Harvard University and The Juilliard School. Because of her own experience beginning the violin in a public school program in Boston, Ayano has presented numerous programs for children. In her spare time, she loves to paint and practice Aikido.
Geoffrey Pilkington was appointed Principal Horn of the Washington National Opera at the John F. Kennedy Center for the Performing Arts in 2014, after ten years of holding the Fourth Horn position in the same orchestra. In 2011, he also joined the Harrisburg Symphony Orchestra as associate principal/third horn and was featured as a soloist, performing Schumann’s Konzertstuck for four horns and orchestra. Geoffrey completed his degree at The Juilliard School studying with Julie Landsman, and spent a year abroad the Royal Academy of Music in London studying with Michael Thompson and Richard Watkins. An accomplished recitalist, Geoffrey has been awarded grand prizes at the International Horn Competition of America, the Florida Orchestra Concerto Competition and at the Royal Academy of Music in London. Additionally, he has performed with the Metropolitan Opera, San Francisco Opera, National Symphony Orchestra, Seattle Symphony Orchestra, Baltimore Symphony Orchestra, and as guest Principal Horn with The Philadelphia Orchestra. He was featured as a soloist in the 2016 Wagner Ring Cycles at the Kennedy Center, and joined the San Francisco Opera for six complete Ring Cycles in 2011 and 2018. Mr. Pilkington is also the Horn Professor at Shenandoah Conservatory. Geoffrey met his wife, Kathryn, while they were studying at Juilliard. She is a founding member and Co-Artistic Director of Washington DC’s modern dance troupe, “Company E”, as well as a modern dance instructor at George Mason University. They live in Burke, VA with their sons Gavin and Colin.
Sarah Rommel was a top prizewinner of the 2014 George Enescu International Cello Competition. She has been the recipient of several awards and grants including a Williamson Foundation Grant, Frank Huntington Beebe Fund Grant, Anna Sosenko Trust Grant, and Jack Kent Cooke Young Artists Award, which led to a subsequent appearance on NPR’s “From the Top”.
Sarah has given recitals at Caramoor’s Evnin Rising Stars Showcase and the Los Angeles County Museum of Art, in addition to performances in Philadelphia, New York City, Boston, Chicago, Seattle, France, Italy, England, and Romania. She has actively participated in classes at the Piatigorsky International Cello Festival, Academie Musicale de Villecroze, and IMS Prussia Cove, where she has worked closely with distinguished professors such as David Geringas, Gary Hoffman, Frans Helmerson, and Paul Katz.
An enthusiastic chamber musician, Sarah was a founding member of the cello quintet Sakura and has appeared with the Chameleon Arts Ensemble and Shuffle Concert. She has also recently toured with the East Coast Chamber Orchestra (ECCO) and the Orpheus Chamber Orchestra. Sarah has been invited to perform at festivals such as Music from Angel Fire, Music in May Festival, Santa Cruz Chamber Players, Chamber Music Palisades, Chamber Music Sedona, as well as Caramoor’s Evnin Rising Stars Series, Chamber Music New Zealand, Yellow Barn, Ravinia’s Steans Music Institute and Marlboro Music Festival. Sarah has collaborated with composers John Adams, Sofia Gubaidulina, Jennifer Higdon, Steve Mackey, and Kaija Saariaho, pianists Jonathan Biss and Gil Kalish; violinists Lucy Chapman, Pamela Frank, Joseph Lin, Scott St. John, and Don Weilerstein; violists Atar Arad, Kim Kashkashian and Nobuko Imai, and cellists Peter Wiley and Ralph Kirshbaum.
Sarah began her musical studies on the piano at age nine and was introduced to the cello at age twelve. She is a graduate of the Curtis Institute of Music, where she pursued a Bachelor of Music studying with Peter Wiley. Previous teachers include Efe Baltacigil and Hans Jørgen Jensen. She recently received her master’s degree from the University of Southern California’s Thornton School of Music in Los Angeles studying under the tutelage of Ralph Kirshbaum. Sarah is currently based in New York City and Seattle.
The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music
Albert Seo, from Vancouver, British Columbia, entered the Curtis Institute of Music in 2016 and studies with Carter Brey, principal cello of the New York Philharmonic, and Peter Wiley, former cellist of the Guarneri Quartet. All students at Curtis receive merit-based, full-tuition scholarships, and Mr. Seo is the Nellie Lee Bok Fellow.
Mr. Seo is the recipient of numerous awards, including first prizes at the Vancouver Women's Musical Society Scholarship Competition and the Vancouver Youth Symphony Orchestra Concerto Competition. He won the senior division of the Vancouver Symphony Orchestra School of Music Future of Excellence, gaining a chance to perform with the Vancouver Symphony Orchestra; and received the Loyal Protestant Association Scholarship at the 22nd Annual Bjorn and Lori Hareid Senior Secondary Competition. In 2015, Mr. Seo was a finalist at the Johansen International Competition for Young String Players and was a semifinalist at the Stulberg International String Competition, where he also won the Bach Award.
Mr. Seo has performed as a soloist with the Vancouver Youth Symphony Orchestra and the Philharmonia Northwest Orchestra. As a chamber musician, he was part of the winning ensemble at the Friends of Chamber Music Scholarship Competition and the 2014 Kelowna Kiwanis Festival.
Mr. Seo attended the Aspen Music Festival and School and the Domaine-Forget Academy in Quebec. He has participated in master classes with Lluis Claret, Phillipe Muller, Raphael Wallfisch, Paul Watkins, Paul Marelyn, Roman Borys, and Maximilian Hornung.
Mr. Seo began cello lessons at age seven. His previous teachers include Cristian Markos, Joseph Ellsworthy, Ariel Barnes, and Sung Yong Lin.
The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music
Joshua Smith is equally at home as a soloist, chamber musician, and educator. He was appointed the Cleveland Orchestra’s principal flute at age 20, joining the ensemble in 1990, and appears regularly as a soloist with the orchestra. In September 2014, he was featured with the Cleveland Orchestra on tour in Europe, playing Jorg Widmann’s flute concerto, commissioned by the orchestra and written for Smith. He premiered the work in May 2011.
Mr. Smith’s recordings include the Grammy-nominated Telarc recording, Air, as well as two discs with harpsichordist Jory Vinikour of the sonatas of J.S. Bach; a Live from the Marlboro Music Festival recording, and 100 Cleveland Orchestra recordings.
Intrigued by exploring new ways of connecting with audiences, Smith leads the innovative chamber group Ensemble HD, which performs in concert halls and nontraditional venues. Ensemble HD released its first double vinyl album in May 2013, Live at the Happy Dog, recorded at The Happy Dog, a tavern in Cleveland’s Gordon Square Arts District. Smith was invited to speak to the National Endowment for the Arts Council about the community engagement efforts spearheaded by Ensemble HD.
Mr. Smith appears as a chamber musician throughout the United States, including recent and ongoing appearances with the Philadelphia Chamber Music Society; at the Marlboro and Santa Fe chamber music festivals, and with the Israeli Chamber Project. He has also performed in collaborative concerts with the Pensacola Museum of Art, the Museum of Contemporary Art in Miami, and at the 92nd Street Y in New York City.
Mr. Smith serves on the flute faculty at the Cleveland Institute of Music. He is a Powell Artist and performs most often on a new grenadilla Powell and on an old Rudall Carte. A native of Albuquerque, New Mexico, he worked closely with renowned pedagogue Frank Bowen before attending Philadelphia’s Curtis Institute of Music, where he studied with Julius Baker and Jeffrey Khaner.
Flutist Mimi Stillman is renowned for her virtuosity, insightful interpretation, and adventurous programming. As soloist, she has appeared with orchestras including The Philadelphia Orchestra, Indianapolis Chamber Orchestra, Bach Collegium Stuttgart, Chamber Orchestra of Philadelphia, Orquesta Sinfónica de Yucatán, Chamber Orchestra of the Triangle, and Orchestra 2001; and as recitalist and chamber musician at venues including Carnegie Hall, The Kennedy Center, Philadelphia Chamber Music Society, Smithsonian American Art Museum, National Sawdust, Isabella Stewart Gardner Museum, Symphony Space, La Jolla Chamber Music Society, The Kimmel Center, The Verbier Festival, and Kol HaMusica. Ms. Stillman is the founding Artistic Director of the popular Dolce Suono Ensemble, performing Baroque to new music with 53 world premieres in 13 seasons in Philadelphia and on tour. At the invitation of Plácido Domingo, Ms. Stillman and the Dolce Suono Ensemble enjoy a partnership with the Washington National Opera’s Domingo-Cafritz Young Artist Program
A wide-ranging and innovative artist, Ms. Stillman celebrates the canon while deeply exploring new music and Latin genres. She is highly regarded for expanding the repertoire through her commissions, arrangements, and compositions. She can be heard on several recordings including Odyssey: 11 American Premieres for Flute and Piano, and Freedom, both with her long standing duo pianist Charles Abramovic; and American Canvas performed by her Dolce Suono Trio (Innova). Her Syrinx Journey project, a tribute to Claude Debussy on his 150th anniversary, garnered an international following.
Mimi Stillman made the leap from child prodigy to inimitable artist. At age 12, she was the youngest wind player ever admitted to the Curtis Institute of Music, where she studied with the legendary Julius Baker and Jeffrey Khaner and earned her Bachelor of Music degree. She received a master’s degree and PhD (abd) in History at the University of Pennsylvania and is a published author on music and history.
Mimi Stillman has won numerous competitions and awards including Young Concert Artists International Auditions, the Bärenreiter Prize for Best Historical Performance for Winds, Astral Artists Auditions, and the Philadelphia Women in the Arts Award. A Yamaha Performing Artist and Clinician, strongly committed to excellence in education, she has taught masterclasses at institutions including the National Flute Association, Eastman School of Music, Cornell University, Southern Methodist University, Indiana University, the universities of Texas, California, Virginia, Florida, and Arizona; and at conservatories worldwide. A Spanish-speaker, Ms. Stillman won the Knight Foundation grant for her Música en tus Manos (Music in Your Hands) project to introduce chamber music to the Latino community of Philadelphia. She is on the faculty at Temple University, Curtis Summerfest, and Music for All National Festival. Visit her website at mimistillman.com.
Burchard Tang began his musical studies on the violin at the age of three and, at 16, switched to viola, studying with Choong-Jin Chang, principal viola of the Philadelphia Orchestra. He continued his musical education at the Curtis Institute of Music, where he studied with Joseph de Pasquale, former principal violist of the Philadelphia Orchestra.
Upon graduation, he was appointed to the viola section of the Philadelphia Orchestra. As a chamber musician, Mr. Tang has appeared at many of the country’s top festivals, including Marlboro, Ravinia, Music from Angel Fire, Seattle, Kingston and Caramoor. He has toured with Music from Marlboro, and the Brandenburg Ensemble.
As the winner of the 1992 Albert M. Greenfield student competition, Mr. Tang appeared as soloist with the Philadelphia Orchestra. He has also appeared with the Temple University Orchestra, where he presently is on the faculty, teaching viola and chamber music.
Reiko Uchida enjoys an active career as a soloist and chamber musician, performing regularly throughout the United States, Asia, and Europe. Ms. Uchida has appeared as a soloist with orchestras including the Los Angeles Philharmonic, Santa Fe Symphony, Greenwich Symphony, and the Princeton Symphony. A passionate chamber musician, she is a member of Camera Lucida and the ARK Trio. She is a former member of the Chamber Music Society of Lincoln Center Two and has toured with Musicians from Marlboro, as well as with the Lincoln Center Chamber Music Society. She has collaborated with many of the leading artists of today including Jaime Laredo, Pinchas Zukerman, Oslo Vänskä, and members of the Tokyo String Quartet. She has performed as guest artist with the American Chamber Players, and the Borromeo, Talich, Formosa, Daedalus, and St. Lawrence String Quartets. She has partnered in recital with Jennifer Koh, Jessica Lee, Thomas Meglioranza, Anne Akiko Meyers, Anthony McGill, David Shifrin, and Sharon Robinson. "String Poetic,” her recording with Jennifer Koh, was nominated for a Grammy Award. A graduate of Curtis Institute of Music, Mannes College of Music and the Juilliard School, Ms. Uchida studied with Claude Frank, Leon Fleisher, Edward Aldwell, Sophia Rosoff, and Margo Garrett. She has taught at the Brevard Music Center, and is currently a Music Associate at Columbia University.
Natalya Rose Vrbsky regularly performs across the east coast and western New York in a variety of musical settings. She has toured with Musicians from Marlboro and has appeared as a guest artist with the Philadelphia Chamber Music Society, Saratoga Chamber Players, Bay Chamber Concerts, Astral Artists Concerts, the Knights, Orchestra 2001, and A Far Cry. She is currently a member of the woodwind quintet Antara Winds.
As an orchestral player, Rose held the principal bassoon chair in the Sarasota Opera Orchestra for six seasons and performed as guest principal with the symphony orchestras of Oregon, Vermont, Delaware, Knoxville, Harrisburg, Symphoria (Syracuse), ProMusica Chamber and as acting principal bassoon of the Jacksonville Symphony Orchestra in Florida. A former member of the Chamber Orchestra of Philadelphia, she is a frequent substitute in the Buffalo Philharmonic Orchestra and recently served as acting second bassoon/contrabassoon with the Rochester Philharmonic Orchestra. She has performed regularly with the Philadelphia Orchestra, Opera Company of Philadelphia, Pennsylvania Ballet and the Academy of Vocal Arts Orchestra and has performed as a substitute with the Boston Symphony Orchestra and the Orchestra of St. Luke’s. In 2017, she appeared as guest soloist with the Juno Chamber Orchestra playing the Mozart Bassoon Concerto for the inaugural concert of the new Brattleboro Music Center in Brattleboro, Vermont. She attended the Tanglewood Music Center, Pacific Music Festival, Aspen Music Festival, American Institute of Musical Studies (Graz), New York String Orchestra Seminar, and participated for four summers at the Marlboro Music Festival. A strong advocate for new music, she premiered Allen Shawn’s Four Bagatelles for Bassoon and Piano, and gave Marlboro premieres of Bernard Garfield’s Quartet No. 1 for bassoon and strings and Elliott Carter’s woodwind quintet 9x5.
Rose received a bachelor’s degree from the New England Conservatory, followed by a master’s degree from Temple University and a diploma from the Curtis Institute. Her primary teachers were Richard Ranti and Daniel Matsukawa. In addition to her wide ranging work as a bassoonist, she has concurrently pursued training in various movement modalities. She received her yoga certification in 2018, and is certified to teach Feldenkrais Awareness through Movement classes while working towards completing her Feldenkrais certification in Functional Integration. A native of Vermont, she currently lives in Buffalo, New York with her husband, clarinetist Will Amsel and their daughter.
Known for captivating interpretations of a wide repertoire, Natalie Zhu is the recipient of the Avery Fisher Career Grant, Musical Fund Society Career Advancement Award, the Andrew Wolf Memorial Chamber Music Award and Astral Artists Award. The Philadelphia Inquirer heralded Zhu’s performance in recital as a display of “emotional and pianistic pyrotechnics”.
Ms. Zhu has performed throughout North America, South America, Europe, and Asia as a soloist, recitalist, and chamber musician. She has performed with the Vermeer, Miami, and Daedalus quartets, and collaborated with members of the Guarneri, Orion, Mendelssohn, and Ying Quartets; and the Beaux Arts Trio, Variation Trio and Time For Three. Ms. Zhu has toured with renowned violinist Hilary Hahn since 1997. They released a CD for the Deutsche Grammophon label in September 2005.
Highlights of the current season include her return to the Philadelphia Chamber Music Society, Seattle Chamber Music Society, Crested Butte Chamber Music Festival, The Friends of Chamber Music Reading Concert Series, Brooklyn Library Chamber Music Series, Maestro Foundation Concert Series, Curtis On Tour project, and concert tours in China and Korea.
Ms. Zhu has been Artistic Director of the Kingston Chamber Music Festival since 2009 and has featured in festivals such as Marlboro, Amelia Island, Skaneateles, Tanglewood, Chicago Chamber Musicians, and Great Lakes, as well as Kingston. She recently formed the Clarosa Piano Quartet, dedicated to exploring and enriching the piano quartet repertoire. The quartet consists of Zhu’s husband, violist Che-Hung Chen of the Philadelphia Orchestra, his orchestral colleague, first associate concertmaster Juliette Kang, and cellist Clancy Newman.
Ms. Zhu began her piano studies with Xiao-Cheng Liu at the age of 6 in her native China and made her first public appearance at age nine in Beijing. At age 11 she immigrated with her family to Los Angeles, and by age 15 was enrolled at the Curtis Institute of Music, where she received the prestigious Rachmaninoff Award and studied with Gary Graffman. In 2001, she joined the Curtis faculty as staff pianist. She received a Master of Music degree from the Yale School of Music where she studied with Claude Frank.
For more information, please visit www.nataliezhu.com.